OSTADE, Adriaen van (1610-85):
The Family

Etching, 1647. Godefroy, Hollstein 46, the rare first state of six

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PENCZ, Georg (ca. 1500-1550):
The Triumph of Death , from the Six Triumphs of Petrarch

Engraving, c. 1539. Landau 120 (the only numbered print in the series)

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PENCZ, Georg (ca. 1500-1550):
The Triumph of Love , from the Six Triumphs of Petrarch

Engraving, ca. 1539. Landau 116, only state, a of b with the guide-lines still showing clearly in the inscription

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PETHER, William (c.1738-1821):
A Farrier’s Shop , after Joseph Wright of Derby

Mezzotint, 1771. Chaloner Smith 49; J. Egerton, 1990, 158, third state of three, with the date altered from Dec 1 to Dec 2.

PILLEMENT, Jean-Baptiste (1719-1808), after:
Cahier de six Baraques Chinoises

Etchings, the complete set, 1776, published and possibly etched by Jean-Michel Probst. In reverse of the set etched by J. Deny six years earlier (Guilmard p. 189).

PIRANESI, G.B. (1720-78):
A corner of the Forum Romanum, with the Temple of Castor and Pollux, and S. Maria Liberatrice in foreground left, S. Teodoro in the middle distance, and Monte Aventino in the distance , from Vedute di Roma

Etching. Hind 41, first state of seven. Very rare in this state

PIRANESI, G.B. (1720-78):
The Tombs attributed to Piso Licinianus and the Cornelii on the Appian Way , from Vedute di Roma

Etching. Hind 72, first state of three

POTTER, Paulus (1625-1654):
The Shepherd

Etching, 1644. Hollstein 15, fourth state of five, with the number 2 lower right but before the removal of the signature and date (this state also in the BM collection)
Watermark: Crowned Strasburg Lily
Provenance: King Friedrich August II (Lugt 917)

PREISSLER, Valentin Daniel (1717-65):
Portrait of the painter Johann Justin Preissler ,
(1698-1771), after a self-portrait

Mezzotint. Nagler 3; Le Blanc 28, second state of two with letters

RICCI, Marco (1676-1729):
Landscape with Equestrian Monument

Etching. TIB .010, fourth state with number; Succi (Da Carlevaris
ai Tiepolo) 422, the inscription not a separate plate as described
Provenance: Naudet 1788 (?), see Lugt 1937 and 1938; old Colnaghi stock Watermark: Three crescents

RICCI, Marco (1676-1729):
Classical Ruins with a Sphinx, a Temple and a Gothic Churcht

Etching, 1723-30, as first published by Orsolini in 1730. TIB.09, fifth state of five with number and separate dedication; Succi (Da Carlevaris ai Tiepolo) 421 Provenance: Old Colnaghi stock

ROSA, Salvator (1615-73):
Glaucus and Scylla

Etching with drypoint, 1661. Wallace 101, third state of three with alterations to Scylla’s leg.
Watermark: Fleur-de-lis in a single circle.